Author: David Justice

Avoid the Photoshoot Hangover With These Simple Tips

Fstoppers David Justice

Avoid the Photoshoot Hangover With These Simple Tips

Have you ever gone to a photoshoot you were so excited about, had the greatest time there, just to go home and realize all the images were shot in JPEG? Or you go through the photos and you realize a lot of the shots the client’s hair was in the way? These are both examples of a Photoshoot Hangover.

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The Ten Commandments of Retouching

PetaPixel David Justice

There are some things in life that are universal rules we should all follow—things like not cheating on your wife, not killing anyone, and not stealing. Easy enough, right? And if life has Ten Commandments that are just obvious things not to do, retouching should have them as well.

Here’s are my 10 Commandments of Retouching.

I. Thou Shalt Not Blur Thy Skin

You lose a lot of detail when you blur skin. It may not be noticeable on a phone screen as much, but when these photos are printed or even viewed on a monitor, you can actually see the difference and the missing detail.

This is just a poor retouching technique. When you’re just starting out, it’s understandable. But as you progress and start doing more, you should either hire a retoucher for all of your shoots or learn the proper techniques.

If you want to learn the proper techniques yourself, this was the single biggest resource that helped me learn more.

II. Thou Shalt Not Edit on a Single Layer

This allows you to edit more effectively and gives you the ability to go back without hurting other edits.

Destructive editing isn’t good. It makes it tougher when you make a mistake and need to go back. It’s like doing a crossword puzzle in pen—sure, it’s doable, but that doesn’t mean you should. And it doesn’t make you look cool.

Editing over every layer makes it tougher in the moment, but being able to isolate different editing portions allows you to stay organized when you go back and need to fix things. It’s tough to get into a habit of doing. I sometimes forget to accidentally open a new layer for edits, but it’s something that makes for better, and more organized retouching.

III. Thou Shalt Not Brighten the Whites of the Eyes

Although you can see the color in her eyes on the right, the glow of the white in the eyes is very unnatural.

There’s the right way to edit eyes, and there’s the wrong way. The right way: Stay within the pupils and just bring out the color a bit. The wrong way: Brighten everything inside the eyelids.

If you want to read about more natural ways to retouch eyes, here’s a great read on understanding eyes and how to retouch them.

IV. Thou Shalt Calibrate Thy Monitor Every Few Months

Monitors are fickle. The more they’re on, the more they’re being used, the color on them is like to change.

Depending on how often you use your monitor, you can be seeing much different colors from the last time you calibrated (if you ever did). That’s why calibration systems ask you to calibrate every month-few months. It’s just one of those things you have to do like going to the dentist every 6 months.

V. Thou Shalt Respect Thy Subject’s Body Type

If a woman is a size 9, don’t make her a size 2. Easy as that. It’s one thing if you’re shooting fashion and the dresses that day are a little too tight. It’s another thing when you make their butt and breasts expand like the Grinch’s heart on Christmas day.

VI. Thou Shalt Leave Smooth Transitions From Highlights to Shadows

Light falls on the face a certain way. Sure there’s a difference between softbox and beauty dish fall off, but the transitions aren’t supposed to be incredibly sharp. They have a gradation to them. When you’re dodging and burning, you should try and keep as much of the natural gradation that you can.

Obviously, this goes for more natural retouching and not art pieces where you’re going for that look.

VII. Thou Shalt Edit Each Photo in a Series Consistently

These photos are from the same series, shouldn’t they have a similar look? The left looks like a more natural shot whereas the right looks like a bad filter was put on it. These 2 photos don’t really match anymore.

If you look at 2 images from the same set, are they the same brightness exactly? Are the same blemishes removed? Does the background have the same look/color in them?

Consistency from photo to photo is a learned skill, but it is probably one of the most important skills. If you bought 2 chairs from Ikea, you’d want them to be exactly the same. You wouldn’t want one to be slightly darker and have 1 leg that’s shorter than the rest.

VIII. Thou Shalt Not Be A Cheapskate, or: Actually Purchase The Adobe Creative Cloud Suite

$10 a month. Come on. If you use free alternatives that’s fine, but there’s no reason to steal Photoshop or Lightroom. And if you’re a college student, you can get the Photography Plan or the full plan for even cheaper.

IX. Thou Shalt Not Overuse the Sharpening Tool

A big tell for things like this is hair. You’ll notice a lot of crispiness in the hairs on oversharpened photos.

It’s like you’re cooking. If you do a taste test and find it needs a little salt, you don’t just dump salt on the entire meal… you add a pinch. A little goes a long way. Here’s a good little guide on how to sharpen better. And if your image is just really blurry, there’s not all that much you can do to fix this.

X. Thou Shalt Not Wait To Fix In Post

Hair on the model’s shoulder? Don’t just wait to fix that in post. If it’s something you can physically fix in the moment, do it. You shouldn’t wait until you’re home and realize you’re not as good as you think you are. Retouching is an art form and should be respected, just like photography. You can’t just take a photo any situation and make it perfect. Some things are un-fixable.

Unfortunately I don’t have a link to getting better at this. You just need to pay more attention during the shoot. Always try to be paying attention to certain details while shooting.

Where is the hair falling on the model? Is anything out of place? Is their shirt tidy? Just some things I like to try and think about during shoots.


About the author: David Justice is a portrait, fashion, and beauty photographer based in New Britain, Connecticut. The opinions in this article are solely those of its author. To see more of David’s work, visit his website or follow him on Instagram. This article was also published here.

The Only 3 Reasons to Work for Free

PetaPixel David Justice

Working for free has a huge stigma attached to it, and for good reason. If you don’t know how to work for free properly, you can be taken advantage of and devalue other photographers’ work in the process. That’s why there are, in my opinion, only 3 reasons to work for free.

When you work for free, you need to try and always put yourself in the best possible position to gain something from the work. Whether you’re just putting new work in your portfolio or you’re adding to your network, you need to realize that working for free can benefit you, especially early in your career.

Personal Projects

These are your own projects that you put together, and they’re the best “work for free” moments. You get the best work possible that fits your style when you do personal projects. Personal projects show off your style and skill more than anything else.

You have full control over everything because in the end these are specifically for you.

This photo was the result of a personal project. I wanted to do something huge that honored a culture and holiday I was fascinated with.

TFP/Trade For Print

These are collaborations between you, a model, and sometimes a makeup artist and/or a hair stylist. You get the point: It’s not all about you, it’s about everyone as a group. Usually, these are standard shoots that fit everyone’s style—more like content filler for your Instagram or your portfolio.

This is great, especially when you first start, because it helps you build a rapport with local creatives and gets your work out to everyone else through multiple people sharing it.

This was a TFP shoot I did with an agency model from Nashville. We had a lot of fun and it led to more portfolio-level work with her connections.

Actually Working for Free/Reduced Rates

These are the real gambles. You have to be really sure the work that comes from these can lead to either more paid work, or add significantly to your network. Regardless, you are pretty much being used in these situations.

Someone has an event or needs photos for something, and you’re just there to fulfill the needs of the client. Why should you even bother?

Well, it can be beneficial if you play your cards right. I shot headshots in 2015 at Central Connecticut State University. About 60, fully retouched photos for the students who wanted them, all for free, as a test drive. Long story short: I killed it, everyone loved the photos, and the next year I was back doing it for pay. I got paid a good amount for it too!

I turned free work into paid work by telling them I would do it free the first time around to show them this is something people would want. I proved myself, and it worked, but it was a gamble.

100 headshots taken in 2 days.

I also took photos of puppies for the Puppy Bowl just to say I did that. It was a volunteer job, I skipped classes and work for a day to do it, but my photos appeared on dozens of major news outlets where they showcased these puppies for promotions for the Puppy Bowl in 2014.

Who can say they got to do that? Not many. It was a good portfolio and resume builder.

Who says no to working with puppies?

The Super Secret 4th Reason

You’re just a nice person. Volunteering is a good thing if you have the time and opportunity to do it. Not everyone can afford good photography, but if you have the time to do the job and no reason not to just do it.

Now I’m not saying do it for a large corporation that can and should pay you, but if a small non-profit organization with a great mission and few resources would like someone to come help out, I see no harm in helping out. Your camera gets a larger shutter count? Use a backup camera.

That might sound a little amateurish or pushy to say, but a good deed can sometimes go a long way. If someone asks and you say you can’t, that’s fine. But if someone has an event that lasts a couple hours and they’ll feed you good food for a night to take some event photos, I don’t see too much harm in that. You’re just volunteering with your skill.

I was paid for this in really good food. I had nothing else going on for the week so I agreed to shoot and edit this event. They loved the results and I was able to help a small foundation that helps the Hartford, CT community with family and workforce development programs through cooking and gardening.

So basically..

If you’re working for free, you need to find a way to get something out of it—whether that’s just portfolio filler or networking with more people. Even when you’re doing it for the super secret 4th reason, you need to find a reason to be there that can make your time worth while… even if it’s just to clear your conscience. Otherwise it’s simply not worth it.


About the author: David Justice is a portrait, fashion, and beauty photographer based in New Britain, Connecticut. The opinions in this article are solely those of its author. To see more of David’s work, visit his website or follow him on Instagram. This article was also published here.


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